MUSIC AND ITS POWER OF MAKING CAMARADERIE

Authors

  • Ajay Krishnan R Student,Integrated MA English and Literature,Semester 10,Department of English and Languages,Amrita School of Arts and Sciences, Kochi,Amrita Vishwa Vidyapeetham Author
  • Dr Meenu B Asst.Professor and Research guide,Department of English and Languages,Amrita School of Arts and Sciences, Kochi, Amrita Vishwa Vidyapeetham Author

DOI:

https://doi.org/10.61841/1z6nzd49

Keywords:

Music, Social inequalities, Togetherness, His Highness Abdullah, Religion

Abstract

In the present world cinema is considered as the most complex and powerful art form which influences our life and lifes of those who around us. His Highness Abdullah is a 1990 Malayalam musical drama written by A K Lohithadas and directed by Sibi Malayil. It is a story of a Qawwali singer Abdullah from Bombay, who comes to a palace in Kerala to murder the head of the Royal family Udayavarma thampuran. The assassination of the king is planned by other family members to grab his wealth.Abdullah disguises as a Hindu Brahmin casteical singer to make his job easy.Ultimately he makes a close relationship with the king with his talent of music.This paper is an attempt to show how music plays an important role in bringing people together under one umbrella, irrespective of caste, creed, religion by eradicating all social inequalities and its healing power.

Downloads

Download data is not yet available.

References

1. Millennium Cinemas. (2015, March 31). His Highness Abdullah | Malayalam Super Hit Full Movie | Mohanlal & Gauthami [Video file]. Retrieved from https://youtu.be/yoHsXJ6h5TE

2. His Highness Abdullah (1990): His Highness Abdullah Malayalam Movie Cast & Crew, Release Date, Review, Photos, Videos. (2020, March 27). Retrieved from https://www.filmibeat.com/malayalam/movies/his-highness-abdullah.html

3. Pariwar, G. All World Gayatri Pariwar. Retrieved March 28, 2020, from http://literature.awgp.org/akhandjyoti/1968/November/v2.28

4. Beliefnet. (2017, March 27). The healing power of music. Retrieved March 30, 2020, from https://www.beliefnet.com/wellness/galleries/the-healing-power-of-music.aspx

5. Kehoe, A. (2015, March 1). The social power of music. Retrieved March 8, 2020, from https://www.globalcitizen.org/en/content/the-social-power-of-music/

6. Dessen, S. (2006). Just listen (p. 22). Retrieved April 1, 2020, from https://novels77.com/justlisten/page-22-10008137.html

7. Wadhawa, S. (2014, November 11). Music therapy: An analytical study (p. 29). Retrieved April 1, 2020, from http://shodhganga.inflibnet.ac.in:8080/jspui/bitstream/10603/27751/8/08_chapter%202.pdf

8. Sutton, J. P. (Ed.). (2002). Neurology – The brain: Its music and its emotion; The neurology of trauma. In Music, Music Therapy and Trauma: International Perspectives (pp. 41–53). London: Jessica Kingsley Ltd. Retrieved April 13, 2020, from https://books.google.co.in/books/about/Music_Music_Therapy_and_Trauma.html?id=C3bpjP0Ttq0C

9. Storr, A. (1997). Music and the mind: “Music is the medicine of the mind”; John Logan (1744–88). Retrieved from http://www.cabrillo.edu/~ewagner/WOK%20Eng%202/Storr%20-%20Music%20and%20the%20Mind.pdf

10. Schulkin, J., & Raglan, G. B. (2014). The evolution of music and human social capability. Frontiers in Neuroscience, 8. https://doi.org/10.3389/fnins.2014.00292

Downloads

Published

27.05.2020

Issue

Vol. 24 No. 10 (2020): 24 (10) 2020

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

You are free to:

  1. Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
  2. Adapt — remix, transform, and build upon the material for any purpose, even commercially.
  3. The licensor cannot revoke these freedoms as long as you follow the license terms.

Under the following terms:

  1. Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
  2. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

Notices:

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .

No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

How to Cite

Krishnan R, A., & B, M. (2020). MUSIC AND ITS POWER OF MAKING CAMARADERIE. International Journal of Psychosocial Rehabilitation, 24(10), 460-464. https://doi.org/10.61841/1z6nzd49