Volume 24 - Issue 10
PORTRAYAL OF FEMINISM AND MARRIAGE IN ANITA DESAI’S WORKS
Dr.Komalpreet Kaur
Abstract
For a really long time, ladies in the conventional social request and framework have been
thought of as docile 100% of the time to males In a man-centered Bourgeois society, the
matriarchal local region has been socially and financially 'embarrassed,' 'beset,' 'hushed,' and
'tormented.' With the post-modern era, women began to experience the world through their own
eyes rather than via the male gaze. With the matriarchal struggle against male-dominated
society in India, another internal insurgency began to manifest itself through writing, notably
women's compositions. The voices of women began to compete with those of men. The purpose of
our thesis is to focus on Anita Desai's well-known works, Cry, the Peacock, and Where Shall We
Go This Summer?, for their feminist message. Our goal is to look at how Indian female authors
in English have addressed women's issues in the post-modern age. They have raised a
resounding voice or begun an interior transformation in opposition to traditional values and
orientation segregation, with the ultimate goal of balancing common liberties. Considering Anita
Desai's femme fatale characters in Cry, the Peacock, and Where Shall We Go This Summer?,
maybe the most prominent Indian essayist writing in English, especially the strong and
repressive female heroes, Sita and Maya. The purpose of this paper is to draw attention to
Desai's functions as model cases of postmodern feminism.
Paper Details
Volume: Volume 24
Issues: Issue 10
Keywords: Feminism, Alienation, Sita, Maya
Year: 2020
Month: April
Pages: 8011-8019