DIGITAL MEDIA AND FILM INDUCED TOURISM: PIONEERING NEW DESTINATIONS FOR THE WANDERLUSTS
DOI:
https://doi.org/10.61841/wq3hcp19Keywords:
Tourism, film/digital media industry, impact, push and pull motivation, economic booster, area developmentAbstract
-Digital media as well as films act as information reserve and serve as platform for communication for tourists. This phenomenon has significantly grown over the years. Rather than easing mobility and interactivity, digital media have been a tool of contributory in making convergence a reality. The visuals speak louder than words, and they are powerful enough to move people. This paper examines how films and digital media play a key role in increasing destination desires and tourism growth. Various kinds of media are found to be helpful and persuading for travelers in choosing a destination to travel and to plan trips. In fact, travelers endeavor to seek out tourism data, with the help of digital media before, after and during their travel. Travelers often share their experiences, merits and demerits about the destination through media; travel vlogs, films, reality show etc.Providing reviews and visuals to audience helps in successfully extending the demand for a selected destination. Places which were not that important suddenly shoot into prominence and become attractive tourist destinations as they get depicted in films and digital media. Consequently, the area gets an economic boost through the development of hospitality industry, transportation, purchase centers and several kinds of employment in the service sector. There is thus a fruitful interface between film and digital media with tourism through a process of mutual impact. The paper analyses the topic from the perspective of push and pull theory of motivation.
Downloads
References
1. “Viewers’ Motivation to Visit Korea”,Tourism, Culture and Communication 7 (3): 207-224.
2. Beeton, S. (2008): “Location, Location, Location: Film Corporations' Social Responsibilities”.
3. Chan, B. (2007) Film-induced Tourism in Asia: A Case Study of Korean TV Drama and Female
4. Croy, W.G. (2010) “Planning for Film Tourism: Active Destination Image Management”, Tourism and Hospitality Planning & Development, 7(1): 21-30.
5. Fowler, C. and Helfield, G. (2006) Representing the Rural: Scene, Place and Identity in Films about the Land. Detroit: Wayne State University.
6. Hydson, Simon, and J. R. Brent Ritchie. 2006. “Promoting Destinations via Film Tourism: An Empirical Identification of Supporting Marketing Initiatives”. Journal of Travel Research 44 (4): 387–396.
7. IA Saltik, Y Cosar, M Kozak. (2011). “Film induced tourism: benefits and challenges for destination film marketing”, European Journal of Tourism.
8. Journal of Travel & Tourism Marketing, 24 (2-3): 107-114.
9. Riley, R. and Van Doren, C. (1992) “Movies as Tourism Promotion: A Push Factor in a Pull Location”. Tourism Management 13: 267-274.
10. UK Film Council, Scottish Screen. 2007. “How Film and Television Programmes Promote Tourism in the UK: Stately Attraction.” Olsberg: SPI.
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
You are free to:
- Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.
