USE OF DIFFERENT NARRATIVES TECHNIQUES BY RK NARAYAN
DOI:
https://doi.org/10.61841/tapyj979Keywords:
Narrative Techniques, R K Narayan, The Talkative ManAbstract
The story system is an indivisible piece of the book. Narayan involved different story procedures in his fiction. Narayan composes in regards to social issues and issues of south Indian particularly customary occupants in his books and stories. Narayan has taken up genial issues of regular daily existence; and he has tried to handle the issues through the comprehension of characters. Narayan is considered as a 'conceived narrator' or 'a top notch narrator'. The wide assortment of topics in Narayan's accounts is resembled by a comparably fulfilling assortment of procedures. Narayan has utilized a twofold story strategies, he utilizes the account methods with reason. He utilizes streak back account procedure. This makes Raju measure his own character. In this portrayal of past presence, Raju shows sufficient legitimacy and truthfulness. He depicts himself with extraordinary strength. The Guide is one of Narayan's most fascinating and well known works and is told in a progression of flashbacks. In this astute Raju is the storyteller of his past and calls attention to his perspectives from memory. Through streak dark, Raju occur with the account of his past. The laying of the railroad track at last finishes and a rail route station is fanned out at Malgudi. The memory of Raju makes the first more sensible. The flashback system excites the interest and the interest of the peruser. It moreover demonstrates Narayan's expertise as a conceived narrator. Narayan utilizes the fascinating methodology of a shifted account viewpoint. The story shifts this way and that among first and third individual account; sometimes it is Raju, the essential person talking, and at different times the story is told by the viewpoint of a vastly proficient storyteller. The creator similarly uses consistent with life parts and flashback procedures.
Downloads
References
1. Annaiah, G. H. H. R. K. Narayan and Patrick White as Short Story Tellers. In R. K. Narayan: Critical Perspectives. New Delhi: Sterling Publishers Pvt. Ltd., 1994.
2. Bhat, V. N. “‘Existence for Its Own Sake’: R. K. Narayan’s Stories on Children.” Indian Literature Today: Vol. II: Poetry and Fiction. New Delhi: Prestige Books, 1994.
3. Barthes, Roland. “An Introduction to the Structural Analysis of Narrative.” New Literary History, vol. 6, no. 2, Winter 1975, pp. 237–272. The Johns Hopkins University Press.
4. Biswal, Jayant K. A Critical Study of the Novels of R. K. Narayan. New Delhi: Nirmal Publishers and Distributors, 1987.
5. Dhawan, R. K. Explorations in Modern Indo-English Fiction. New Delhi: Bahri Publications, 1982.
6. Iyengar, K. R. Srinivasa. Indian Writing in English. New Delhi: Prestige Publishers, 1994.
7. James, Henry. “The Art of Fiction.” In The Norton Anthology of Theory and Criticism, edited by Vincent Leitch. New York: W. W. Norton, 2001.
8. Jeurkar. “Narrative Techniques in the Short Stories of R. K. Narayan.” Indian Readings in Commonwealth Literature. New Delhi: Sterling Publishers Pvt. Ltd., 1985.
9. Perry, John Oliver. “Irresolvable Bi-Cultural Conflicts and Other Ironies in Narayan’s The Guide.” Recent Commonwealth Literature: Vol. 1. Edited by R. K. Dhawan, P. V. Dhamija, and A. K. Shrivastava. New Delhi: Prestige Books, 1989, pp. 170–180.
10. Rani, T. Asoka. “Chinua Achebe’s Arrow of God and R. K. Narayan’s The Guide: A Study on the Ritualistic Foundations of Society.” The Literary Half-Yearly, vol. 36, no. 1, 1995, pp. 61–69.
11. Rao, A. V. Krishna. “Identity and Environment: Narayan’s The Guide and Naipaul’s A House for Mr. Biswas.” Inventing Countries: Essays in Post-Colonial Literature. Wollongong: University of Wollongong, 1987, pp. 165–177.
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
You are free to:
- Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.
