The Relationship between the Painter's Inner Energy and His Creativity in Canvas Painting

Authors

  • Maryam Homayounifar M.A Student of Painting, Ferdows Institute of Higher Education Author
  • Javad Amin Khandaqi Assistant Professor, Ferdows Institute of Higher Education Author

DOI:

https://doi.org/10.61841/wbrn3w15

Keywords:

Inner Energy, Creativity, Canvas Painting

Abstract

In this study, we examined the relationship between the painter's inner energy and his creativity in the canvas. For this study, a sample of 100 art students was selected by convenience sampling. The design of this study was descriptive-surveying and the statistical method was a correlation. Tools were used to measure research variables, one to measure the painter's intrinsic motivation and energy and the other to measure his creativity in the phenomenon of a canvas on a painting canvas. The results of the data extracted from the research tools after entering the SPSS software showed that the painter's internal motivation and energy had a positive, direct and significant relationship with his creativity. Both of these variables were associated with a decrease in the other variable. 

Downloads

Download data is not yet available.

References

[1] Abedi, J. (2003). "Creativity and a new method for measuring it". Psychological Research. 2.

[2] Cohen, L. M. (2011). Adaptation, Adaptiveness and Creativity. Corvallis: Oregon State University.

[3] Deci, E. L. (1992). "The relation of interest to the motivation of behavior: a self-determination theory perspective". The Role of Interest in Learning and Development. eds. K. A. Renninger, S. Hidi & A. Krapp. 43-70.

[4] Deci, E. L. and Ryan, R. M. (2000). "What and why of goal pursuits: human needs and the self-determination of behavior". Psychological Inquiry, 11(4). 227-268.

[5] Eddy, U. M. (2015). "Motivation for participation or non-participation in group tasks: a dynamic systems model of task-situated willingness to communicate". System, 50, 43-55.

[6] Eichenberger, Ambros. (1997). "Approaches to Film Criticism". New Image of religious Film. ed. John R. May. Kansas City: Sheed & Ward. 3-16.

[7] Hosseini, Afzal al-Sadat. (2002). The Nature of Creativity and Its Nurturing Methods, Mashhad: Astan Qods Razavi.

[8] John, Eileen. (2005). "Art and knowledge". The Routledge Companion to Aesthetics. 2nd Edition, eds. Berys Gaut and Dominic McIver Lopes. London: Routledge. 417-429.

[9] Kandinsky, Vasili. (2002). "Spirituality in art". Selected Papers of the Journal of Culture and Life. trans. Houshang Vaziri. vol.3, Tehran: Press and Publication Office; Ministry of Culture and Islamic Guidance.

[10] Kaufman, James. (2006). Self-Reported Differences in Creativity by Ethnicity and Gender. San Bernardino: California State University San Bernardino. 1065-1082.

[11]McQuail, Denis. (1983). Mass Communication Theory: An Introduction. New York: SAGE Publications.

[12] Pir Khayefi, AliReza. (2008). Creativity: Fundamentals and Methods of Farming, Tehran: Phoenix Millennium.

[13] Postman, Neil. (2005). Amusing Ourselves to Death: Public Discourse in the Age of Show Business. New York: Penguin Books.

[14] Spiller, Jörg. (2002). "The impersonation of Paul Klee". Selected Papers of the Journal of Culture and Life. trans. Jalal Sattari. vol.3, Tehran: Press and Publication Office; Ministry of Culture and Islamic Guidance.

[15] Tillich, Paul. (1970). Theology of Culture. ed. Robert C. Kimball. London: Oxford University Press.

Downloads

Published

29.02.2020

How to Cite

Homayounifar, M., & Amin Khandaqi, J. (2020). The Relationship between the Painter’s Inner Energy and His Creativity in Canvas Painting. International Journal of Psychosocial Rehabilitation, 24(1), 6841-6846. https://doi.org/10.61841/wbrn3w15