Safety of Women in India??? With Reference to Ambai’s “Journey-17”
DOI:
https://doi.org/10.61841/42s5tz74Keywords:
Vulnerable, Women, Patriarchy, Delhi, Rape, ViolenceAbstract
The main aim of this paper is to study the vulnerable life of women in Indian cities, especially in the big city of Delhi. The two young women’s lives, in “Journey-17” published in the collection A Night with a Black Spider written by C.S. Lakshmi, are taken up for study. Most of Ambai’s works explore struggle, tradition, transition, women’s bodies, sexuality, identity, rape, patriarchy, transformation of feelings, and so on that affect women’s lives. This paper focusses on the in-depth conversation of two young women called Mythili and Neerja who meet in a train going to Delhi. Through the story, Ambai has clearly depicted how a woman cannot help another woman in times of need due to her dependence on her family members. Through the story of Ambai, it tries to portray different examples of sexual abuse and molestation. The story indirectly cautions women against embarking on a journey of solitude. It indirectly emphasizes education and marriage as the means of empowerment of women. The story also highlights how women are looked down on as mere objects of sex in society and how there is no guarantee for the safety of both chastity and life of a woman in a big city like Delhi. The lives of both the women are good examples of male chauvinist society. This paper discusses the vulnerability of women both in the family and in society as portrayed by Ambai and tries to emphasize the importance of liberation of women from patriarchy, sexuality, rape, violence, marriage, and the other tangles that ensnare them and their empowerment through education and jobs.
Downloads
References
[1] Ambai, C.S. Lakshmi. (2017) A Night with a Black Spider Speaking Tiger Publishing Pvt. Ltd New Delhi.
[2] Ambai. (2003). Introduction. Ambai: Two Novellas and a Story. New Delhi: Katha Print.
[3] Bande., Usha., & Atma Ram. (2003). Women in Indian Short Stories: A Feminist Perspective.
[4] Burke., (1981). Irigaray through the Looking Glass—Feminist Studies (7).
[5] Felski., & Rita. (1989). Beyond Feminist Aesthetics: Feminist Literature and Social Change. Cambridge
[6] Freedman., & Jane. (2002). Feminism. New Delhi: Viva Books.
[7] Gardiner., & Judith Kegin. (1981). On Female Identity and Writing by Women, Critical
[8] https://en.wikipedia.org/wiki/C._S._Lakshmi
[10] Jones Annia. (1980). The Tricky Problem of Being a Woman Writer in the Late Twentieth Century.
[11] Lakshmi, C.S. (1993). The Face Behind the Mask. New Delhi.
[12] Morris., & Pam. (1993). Literature and Feminism: An Introduction. Oxford: Blackwell.
[13] Navarro Tejero & Antonia. (2009). Talks on Feminism: Indian Woman Activists Speak for Themselves.
New Delhi.
[14] Pratt & Annia. (1972). Women AND Nature in Modern Fiction: Contemporary Literature.
[15] Prema. (1998). Penniyam Anukumuraikal: Tamil Essays on Feminism.
[16] Ruthuven., KK. (1984). Feminist Literary Studies: An Introduction. Cambridge: University Press.
[17] Priya, Vishnu N.S. “Inner Trauma of Women in Select Short Fiction of Ambai”, Publication. 2015, 198-
204. www.ohiohumanities.org. Feminism studies.
[19] http://www.jstor.org
[20] www.crrps.in
[21] Mainjula. (2015). Literary Criticism and Literary Theory.
[22] Valarmathi., (2018). International Journal Review.
[23] www.indiatoday.in
Downloads
Published
Issue
Section
License
Copyright (c) 2020 AUTHOR

This work is licensed under a Creative Commons Attribution 4.0 International License.
You are free to:
- Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.