Navigating Identity and Exile: Exploring Themes of Diaspora, Alienation, and Dislocation in Contemporary Indian Literature
DOI:
https://doi.org/10.61841/fay89c14Keywords:
Identity, Exile, Indian Diaspora, rootlessness, Alienation, Dislocation, Indian LiteratureAbstract
The research paper delves into the intricate realm of diaspora, focusing on its portrayal and exploration within contemporary Indian literature. Drawing insights from a wide range of literary works, the study analyses the multifaceted themes of alienation, dislocation, and identity crisis faced by individuals navigating the intricate terrain of migration. The paper examines how Indian authors, including Salman Rushdie, Jhumpa Lahiri, Bharti Mukherjee, and others, articulate the experiences of those living in foreign lands, juxtaposing their original homeland with the adopted one. The term "diaspora" is investigated through a historical lens, tracing its origins and evolution from the dispersion of the Jews to the modern-day global movements.
The paper scrutinizes the divergent trajectories of diasporic experiences, highlighting the various motivations behind migration, such as economic prospects, religious propagation, and political upheaval. By scrutinizing representative works, the study dissects the intricate layers of identity crisis faced by protagonists who oscillate between multiple cultural influences, often leading to a struggle to define their sense of self. The texts reveal how diaspora literature captures the complex interplay between the yearning for a lost homeland and the challenges of integration into new societies. Through a comprehensive examination of key literary works, the research unpacks the thematic threads that bind these narratives together, emphasizing the commonalities and contrasts in the portrayal of diasporic experiences. Furthermore, it underscores the pivotal role of literature in not only reflecting the multifarious realities of migration but also in advocating for social justice, equality, and cultural understanding. The exploration encompasses genres beyond the traditional novel and extends to poetry, drama, autobiography, memoirs, and travelogues, illustrating the depth and breadth of the diaspora discourse within Indian literature. Ultimately, the paper contributes to a deeper understanding of how contemporary Indian writers grapple with the complexities of identity, dislocation, and the ever-evolving notion of home in an interconnected world.
Downloads
References
1. Acharya, Shanta. “American Poetry Today: The contribution of poets from the Indian sub-continent”. .N.p., n.d.
Web. 12 May 2014.
2. Bhabha, Homi. The Location of Culture. London and New York: Routledge, 1994. Print. Bharatkumar Bhatt, Mahesh.
“Struggle to Acculturate in the Namesake: A Comment on Jhumpa Lahiri's Work as Diaspora Literature”. n.p, 9 Sept.
2009. Web. 1 Apr. 2014.
3. Buruma, Ian. “The Romance of Exile - Real wounds, unreal wounds” The New Republic, 12 Feb. 2001: n. pag. web.
25.6.2014.
4. Desia, Anita. Bye-Bye Blackbird. New Delhi: Orient, 2001. Print.
5. Oxford Dictionaries. “Diaspora.”. Oxford University Press, 1 Jan. 2014.Web. 14 Mar.2014.
6. Dictionary, Cambridge. Cambridge University press, Print.
7. Gordon, Milton M. Assimilation in American Life: The Role of Race, Religion and National Origins. London: Oxford
University Press,1964. Print.
8. Gosh, Amitav. “The Ghat of the only World: Agha Shahid Ali in Brooklyn”. N.p., 1 Jan. 2002. Web. 7 Feb. 2014.
9. Herwitz, Daniel & Varshney Ashutosh. Midnight’s Diaspora: Encounters with Salman Rushdie. New Delhi: Penguin
Books, 2009. Print.
10. Kumar, Sudhir. Diasporic Consciousness of Gandhi. Contemporary Diasporic Literature.
11. New Delh: Lotus Publications, 2007. Print.
12. Jain, Jasbir. The New Parochialism: Homeland in the writing Of The Diaspora. In Diaspora: Theories, Histories, Texts.
Ed. Makarand Paranjape, New Delhi: Indialog Publications Pvt Ltd, 2001. Print.
13. K. Nayar, Pramod. Postcolonial Literature: An Introduction. New Delhi: Dorling Kindersley, 2008. Print.
14. Kumar, Nagendra. The Fiction of Bharati Mukherjee: A Cultural Perspective, New Delhi: Atlantic Publishers, 2001.
Print.
15. Lahiri, Jhumpa. The Namesake. London: Flamingo, 2003. Print.
16. Mukherjee, Bharati. Two Ways to Belong in America . N.p., n.d. Web. 12 Mar. 2014.
17. Mukherjee, Bharati. Jasmine (1989), London: Virago, 1998. Print.
18. Pendery, David. “Identity development and cultural production in the Chinese diaspora to the United States, 1850-
2004: new perspectives” Asian Ethnicity Volume 9. Web.24.6.2014.
19. Pokhriyal, Chetana. “The Theme of Alienation and Assimilation in the novels of Bharati Mukherjee: A Socio-Literary
Perspective” n.p. 3 Aug. 2009. Web. 7 Apr. 2014.
20. Rushdie, Salman. Imaginary Homelands: Essays and Criticism. New York: Penguin, 1991.Print.
21. Rushdie, Salman. Midnight’s Children. London: Vintage Books, 2006. Print.
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
You are free to:
- Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.